{"id":20,"date":"2026-05-29T22:53:12","date_gmt":"2026-05-29T20:53:12","guid":{"rendered":"https:\/\/ms.5up3r83d0um.xyz\/?page_id=20"},"modified":"2026-05-29T23:06:07","modified_gmt":"2026-05-29T21:06:07","slug":"hanns-eisler","status":"publish","type":"page","link":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/hanns-eisler\/","title":{"rendered":"Hanns Eisler"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Depuis presque dix ans, Marie Soubestre porte un int\u00e9r\u00eat particulier \u00e0 l\u2019oeuvre du compositeur allemand Hanns Eisler (1898-1962). Avec le pianiste Romain Louveau, elle lui consacre de nombreux r\u00e9citals, des enregistrements et des master class. Depuis 2016, elle poursuit ce travail dans le cadre du doctorat \u2018recherche et pratique\u2019, sous la double direction d\u2019Olivier Reboul (CNSMDP) et de Philippe Cath\u00e9 (Universit\u00e9 Paris Sorbonne).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La musique vocale de Hanns Eisler contient aussi bien des cantates dans un style moderne, que des chansons plut\u00f4t \u00ab cabaret \u00bb, des cycles entiers largement atonaux, de la musique s\u00e9rielle et des polyphonies tr\u00e8s simples. Derri\u00e8re cet apparent patchwork il y a bien une \u0153uvre, celle d\u2019un compositeur incontournable de la premi\u00e8re moiti\u00e9 du XXe si\u00e8cle. Chercheur comme interpr\u00e8te, comment aborder cette \u0153uvre r\u00e9solument politique sans la r\u00e9duire \u00e0 un outil de propagande mais sans nier non plus sa place singuli\u00e8re dans l\u2019Histoire de la musique ?<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"311\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/eisler-brecht.jpg\" alt=\"\" class=\"wp-image-29\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab<em> Il ne se contente pas d\u2019\u00e9puiser ses textes, il les traite et leur donne ce qui est Eisler. <\/em>\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Bertolt Brecht, 1955)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Publications :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<br><a href=\"https:\/\/web.archive.org\/web\/20260112235406\/https:\/\/larevue.conservatoiredeparis.fr\/index.php?id=2339\"><\/a><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112235406\/https:\/\/www.lesallumesdujazz.com\/le-journal.html#player1?catid=0&amp;trackid=0\" target=\"_blank\"><strong>Cesser d\u2019\u00eatre des d\u00e9serteurs, r\u00e9flexion autour de Hanns Eisler<\/strong><\/a><\/strong><br>Les Allum\u00e9s du jazz n\u00b039<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019<br><a href=\"https:\/\/web.archive.org\/web\/20260112235406\/https:\/\/larevue.conservatoiredeparis.fr\/index.php?id=2339\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Palmstr\u00f6m de Hanns Eisler, la parodie comme h\u00e9ritage critique<\/strong><\/a><br>La revue en ligne du CNSMDP<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<br><strong><a href=\"https:\/\/web.archive.org\/web\/20260112235406\/https:\/\/www.culture.gouv.fr\/Sites-thematiques\/Enseignement-superieur-et-Recherche\/La-revue-Culture-et-Recherche\/Recherches-en-scene\" target=\"_blank\" rel=\"noreferrer noopener\">La dignit\u00e9 de d\u00e9sirer d\u2019autres vies<\/a><\/strong><br>(en collaboration avec Romain Louveau)<br>Culture et Recherche n\u00b0136, automne-hiver 2017. 96 pages<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;An eine Stadt&quot;  Eisler \/ Brecht \/ Schubert | Ilias El Faris \/ Romain Louveau \/ Marie Soubestre\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/Sn55kX11AGc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Depuis presque dix ans, Marie Soubestre porte un int\u00e9r\u00eat particulier \u00e0 l\u2019oeuvre du compositeur allemand Hanns Eisler (1898-1962). Avec le pianiste Romain Louveau, elle lui consacre de nombreux r\u00e9citals, des enregistrements et des master class. Depuis 2016, elle poursuit ce travail dans le cadre du doctorat \u2018recherche et pratique\u2019, sous la double direction d\u2019Olivier Reboul <a class=\"read-more\" href=\"https:\/\/ms.5up3r83d0um.xyz\/index.php\/hanns-eisler\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":6,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":30,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions\/30"}],"wp:attachment":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}