{"id":16,"date":"2026-05-29T22:50:03","date_gmt":"2026-05-29T20:50:03","guid":{"rendered":"https:\/\/ms.5up3r83d0um.xyz\/?page_id=16"},"modified":"2026-05-30T21:44:46","modified_gmt":"2026-05-30T19:44:46","slug":"archives-presse","status":"publish","type":"page","link":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/archives-presse\/","title":{"rendered":"Archives\/presse"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">2023<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Air de Micaela\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/VIjDqstS8nI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Air de Micaela<\/em> | <em>Carmen, \u00e9trang\u00e8re famili\u00e8re<\/em>. Adaptation, texte et mise en sc\u00e8ne : Antoine Thiollier<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2022<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.youtube.com\/watch?v=ABluvguoP00\">https:\/\/www.youtube.com\/watch?v=ABluvguoP00<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anrede an den Kran Karl : Hanns Eisler\/ Bertolt Brecht. Arrangement : Cl\u00e9ment Darlu<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bidgood&amp;apos;s scene - Echo, Narcisse et l&amp;apos;art d\u2019aimer (extrait)\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/kYk2-Ue2baw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Echo, Narcisse et l\u2019art d\u2019aimer (extrait) Livret de Benjamin Athanase, Ma\u00ebl Bailly et Marie Soubestre Musique de Ma\u00ebl Bailly Mise en sc\u00e8ne de Benjamin Athanase. Solistes de l\u2019Ensemble intercontemporain. Cr\u00e9\u00e9e le 6 avril 2022 dans l\u2019Amphith\u00e9\u00e2tre \u2013 Cit\u00e9 de la musique.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">13 juin 2022<br>Reportage sur le spectacle \u00ab Echo, Narcisse et l\u2019art d\u2019aimer \u00bb cr\u00e9\u00e9 le 06.04.2022 \u00e0 la Cit\u00e9 de la musique. Ma\u00ebl Bailly : musique Benjamin Athanase, Ma\u00ebl Bailly, Marie Soubestre : livret \/ Benjamin Athanase : mise en sc\u00e8ne<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Carmen, \u00e9trang\u00e8re famili\u00e8re [Bande Annonce]\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/1iVC7wCiQME?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Carmen, \u00e9trang\u00e8re famili\u00e8re. Adaptation, texte et mise en sc\u00e8ne :Antoine Thiollier<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vocalise de Ravel\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/mHoNzO2fwUk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vocalise de Ravel<\/em>, Concert du Collectif G. Paris, CMA13, automne 2022<br>Maroussia Gentet, piano<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2022<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Tango aleman \/ <\/strong>Mauricio Kagel<br><strong>Printemps des Arts de Monte-Carlo<\/strong><br>Piano : Maroussia Gentet \/ Violon : Constance Ronzatti \/ Accord\u00e9on : Jean-Etienne Sotty<br><strong>\u00ab&nbsp;Les interpr\u00e8tes investissent avec une remarquable justesse cet interstice expressif et la soprano Marie Soubestre r\u00e9ussit \u00e0 rendre \u00e9mouvante cette expressivit\u00e9 a priori sans objet.&nbsp;\u00bb<\/strong> <a href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.diapasonmag.fr\/critiques\/trajectoires-croisees-au-printemps-des-arts-de-monte-carlo-29015\">Diapason<\/a><br><strong>\u00ab&nbsp;M\u00eame le langage est gomm\u00e9. Intelligible seulement par ses inflexions expressives exacerb\u00e9es, la chanteuse Marie Soubestre force le pathos, clame le d\u00e9chirement et la d\u00e9ception sans retenue, sur fond de piano (Maroussia Gentet), de violon (Constance Ronzatti) et d\u2019accord\u00e9on (Jean-\u00c9tienne Sotty). Le moment, plus vrai que nature, est poignant.&nbsp;\u00bb <a href=\"https:\/\/web.archive.org\/web\/20251208111740\/http:\/\/www.classiquenews.com\/compte-rendu-critique-concert-monte-carlo-le-23-mars-2019-printemps-des-arts-de-monaco-2019-brahms-bianconi-nesterowicz\/\">classiquen<\/a><\/strong><a href=\"https:\/\/web.archive.org\/web\/20251208111740\/http:\/\/www.classiquenews.com\/compte-rendu-critique-concert-monte-carlo-le-23-mars-2019-printemps-des-arts-de-monaco-2019-brahms-bianconi-nesterowicz\/\">ews.com<\/a><br><a href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/soundcloud.com\/marie-soubestre\/23-3-19-kagel-tango-aleman-prelude-bianconi\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>\u00c0 r\u00e9\u00e9couter ici<\/strong><\/a><\/td><td><strong>Schumann \/ Barbara<\/strong><br><strong>La Br\u00e8che Festival \/ Cit\u00e9 des Arts de Chamb\u00e9ry<\/strong><br>Piano : Romain Louveau \/ Arrangements : Jean-Marc Toilon \/ Dramaturgie : Antoine Thiollier<br>Photo Leo Novel<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;An eine Stadt&quot;  Eisler \/ Brecht \/ Schubert | Ilias El Faris \/ Romain Louveau \/ Marie Soubestre\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/Sn55kX11AGc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>an eine Stadt<\/strong> \/ Hanns Eisler<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Miroirs \u00c9tendus \/ La Br\u00e8che Festival<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9alisation : Ilias El Faris \/ Image : Robin Fresson \/ Son ; Jean-Fran\u00e7ois Arambel \/ Montage : L\u00e9o Richard \/Piano : Romain Louveau<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Rapides diapr\u00e9es<\/strong> <strong>\/ <\/strong>Adrien Trybucki<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>IRCAM<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Pour soprano et dispositif \u00e9lectronique<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>\u00ab&nbsp;Rapides Diapr\u00e9s<\/em> d\u2019<em>Adrien Trybucki<\/em> se d\u00e9marque par la ma\u00eetrise d\u2019une \u00e9criture \u00e0 la fois sophistiqu\u00e9e et tr\u00e8s vivante, o\u00f9 l\u2019\u00e9lectronique en temps r\u00e9el est v\u00e9ritablement un partenaire polyphonique de la ligne vocale ; elle agit aussi (en d\u00e9pit de quelques cafouillages informatiques finalement mineurs), sur la constitution du texte chant\u00e9 avec brio par Marie Soubestre.&nbsp;\u00bb<\/strong> (<a href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.diapasonmag.fr\/critiques\/bilan-du-festival-manifeste-2019-l-ircam-a-le-sens-du-spectacle-29233\" target=\"_blank\" rel=\"noreferrer noopener\">Diapason<\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2021<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"[CNL] M\u00e9lodies baudelairiennes\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/i1jBxNp1vbE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Piano : Maroussia Gentet. Enregistr\u00e9 \u00e0 la Fondation Singer-Polignac pour le Centre National du Livre par Les Beaux Yeux.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Marie Soubestre [Soprano] Fiona Monbet [violon] Sven Riondet [Accord\u00e9on] Farnaz Modarresifar [sant\u00fbr]<br>[La Br\u00e8che festival] Gy\u00f6rgy Kurtag : extrait. Improvisation<\/p>\n<\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2020<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Au cas o\u00f9 le corps exulte (B.0.)\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/n0CYIXHKPYI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Au cas o\u00f9 le corps exulte<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Musique : Ma\u00ebl Bailly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bande originale du Film<em> Au cas o\u00f9 le corps exulte <\/em>de Florian Genthial<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u2019apr\u00e8s le quintette en do majeur de Franz Schubert<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarah Van der Vlist : fl\u00fbte \/ Orane Pellon : clarinette \/ Simona Castria : saxophone baryton \/ Nicolas Dross : piano \/ C\u00e9cile Lartigau : ondes Martenot \/ Benjamin Garson : guitare \u00e9lectrique \/ Morgan Laplace Mermoud : percussions \/ Marie Soubestre : soprano \/ Elliott Pages : violon I \/ Alcide M\u00e9n\u00e9trier : violon II \/ \u00c9lise Hiron : alto \/ Miquel Garcia Ramon : violoncelle \/ Lilas Berault : contrebasse \/ Victor Rouanet : direction musicale \/ Blaise Carpene : Prise de son et Mixage \/ Basile Moriniere : assistant \u00e0 la prise de son<\/p>\n<\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2018<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Le Grand Macabre \/ <\/strong>Ligeti<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Philharmonie de Paris \/ Ensemble Intercontemporain<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Direction : Mathias Pinstscher \/ Victoire Bunel \/ Beno\u00eet Rameau \/ Jean-Christophe Lani\u00e8ce<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00ab&nbsp;Marie Soubestre offre un soprano d\u2019une rare puret\u00e9, \u00e0 la puissance av\u00e9r\u00e9e, au legato id\u00e9al face \u00e0 VictoireBunel. \u00ab&nbsp;<\/strong>, <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.olyrix.com\/articles\/production\/2585\/le-grand-macabre-ligeti-philharmonie-de-paris-7-decembre-2018-requiem-ensemble-intercontemporain-pintscher-soubestre-monnet-bunel-kiss-rameau-dekan-laniece-gourdy-somos-conservatoire-choeur-national-hongrois-critique-chronique-compte-rendu-article\" target=\"_blank\">Olyrix.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00ab&nbsp;C\u00f4t\u00e9 f\u00e9minin, le duo Amando\/Amanda form\u00e9 par Marie Soubestre et Victoire Bunel d\u00e9borde comme il faut de sensualit\u00e9. Si les aigus puissants de la premi\u00e8re couvrent un peu le registre de la seconde, leurs interventions brillent avant tout par leur musicalit\u00e9.&nbsp;\u00bb<\/strong> <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.forumopera.com\/le-grand-macabre-paris-le-macabre-lui-va-si-bien\" target=\"_blank\">forumopera.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">2017<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Miroirs \u00c9tendus \/ Mains d\u2019\u0153uvres<\/strong><br>R\u00e9alisation : Ilias El Faris \/ Image : Robin Fresson \/ Son ; Jean-Fran\u00e7ois Arambel \/ Montage : L\u00e9o Richard \/ Piano : Romain Louveau<br>Photo Martin Noda<br><strong><a href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.youtube.com\/watch?v=FeeEDR8N8-U\">\u00c0 revoir ici<\/a><\/strong><\/td><td><strong>Les Constellations, une th\u00e9orie<\/strong><br><strong>Miroirs \u00c9tendus\/Op\u00e9ra de Lille<\/strong><br><strong>De<\/strong> <strong>Jos\u00e9phine Stephenson et Antoine Thoillier<\/strong><br>Mise en sc\u00e8ne : Antoine Thiollier \/ Marion Bordessoulles (com\u00e9dienne) \/ Marianne Croux (soprano) \/ Hugo Mallon (com\u00e9dien) \/ Ilias Dupuis El Faris (com\u00e9dien) \/ Antoine Cambruzzi (clarinette) \/ Romain Louveau (piano, claviers) \/ Fiona Monbet (violon) \/ Jos\u00e9phine Stephenson (guitare \u00e9lectrique)<br>Photos Vincianne Verguethen<\/td><\/tr><tr><td><strong>Festival Volcadiva<\/strong><br><strong>R\u00e9cital piano\/voix (Romain Louveau)<\/strong><br><strong>\u00ab&nbsp;\u00catre une femme lib\u00e9r\u00e9e n\u2019est pas si difficile pour Marie Soubestre. Forte personnalit\u00e9 et remarquable souplesse dans la voix ont marqu\u00e9 ce r\u00e9cital autour des amours contrari\u00e9s [\u2026] Deux qualit\u00e9s \u2013 associ\u00e9es \u00e0 une bonne dose d\u2019espi\u00e8glerie et de go\u00fbt du jeu -, qui permettent \u00e0 la jeune soprano d\u2019exprimer toute la force des femmes en proie \u00e0 l\u2019impossibilit\u00e9 d\u2019aimer, au drame, au faux espoir.&nbsp;\u00bb&nbsp; <\/strong><a href=\"https:\/\/web.archive.org\/web\/20251208111740\/https:\/\/www.lamontagne.fr\/royat-63130\/loisirs\/marie-soubestre-et-romain-louveau-hier-au-festival-volcadiva-au-theatre-casino-de-royat-chamalieres_11509655\/\">La Montagne<\/a><br>Photo Martin Noda<\/td><td><strong>Victor Bang<\/strong><br><strong>Compagnie de l\u2019Eventuel H\u00e9risson Bleu<\/strong>.<br>Texte et mise en sc\u00e8ne : Antoine Thiolllier \/<br>Avec : Marion Bordessoules \/ Hugo Mallon<br>Photo Vinviane Verguethen<\/td><\/tr><tr><td><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Nous ne sommes que bouche !<\/strong><br>Compagnie Les Cassandres<br>Compagnie Les Cassandres. Mise en sc\u00e8ne, Doroth\u00e9e Daffy. Cr\u00e9ation musicale : Gred Beller. Com\u00e9dienne : Doroth\u00e9e Daffy. Cor anglais : Sylvain Devaux<br><br>Photo : Leo Novel<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">2016<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Reigen-Philippe Boesmans sc\u00e8ne 1\" width=\"832\" height=\"468\" src=\"https:\/\/www.youtube.com\/embed\/HwoxIN1_r1M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Reigen \/ <\/strong>r\u00f4le de la prostitu\u00e9e<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Op\u00e9ra de Philippe Boesmans.<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Direction : Tito Ceccherini \/ Mise en sc\u00e8ne : Marguerite Borie<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>2023 Air de Micaela | Carmen, \u00e9trang\u00e8re famili\u00e8re. Adaptation, texte et mise en sc\u00e8ne : Antoine Thiollier 2022 https:\/\/www.youtube.com\/watch?v=ABluvguoP00 Anrede an den Kran Karl : Hanns Eisler\/ Bertolt Brecht. Arrangement : Cl\u00e9ment Darlu Echo, Narcisse et l\u2019art d\u2019aimer (extrait) Livret de Benjamin Athanase, Ma\u00ebl Bailly et Marie Soubestre Musique de Ma\u00ebl Bailly Mise en sc\u00e8ne <a class=\"read-more\" href=\"https:\/\/ms.5up3r83d0um.xyz\/index.php\/archives-presse\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-16","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/comments?post=16"}],"version-history":[{"count":15,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/16\/revisions"}],"predecessor-version":[{"id":109,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/16\/revisions\/109"}],"wp:attachment":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/media?parent=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}