{"id":14,"date":"2026-05-29T22:49:16","date_gmt":"2026-05-29T20:49:16","guid":{"rendered":"https:\/\/ms.5up3r83d0um.xyz\/?page_id=14"},"modified":"2026-06-01T08:31:54","modified_gmt":"2026-06-01T06:31:54","slug":"agenda","status":"publish","type":"page","link":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/agenda\/","title":{"rendered":"Agenda"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/Miroirs-Etendus-Cosi-fan-tutti-2-\u00a9Pascale-Colette.jpg\" alt=\"\" class=\"wp-image-123\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Pascale Cholette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>05\/06\/2026 : <em>Cosi fan tutti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Despina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palais des Beaux-Arts, Charleroi<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci <em>Cos\u00ec fan tutte<\/em> (\u00ab c\u2019est ce qu\u2019elles font toutes \u00bb) de Mozart. L\u2019intrigue d\u2019origine est simple : deux jeunes hommes mettent \u00e0 l\u2019\u00e9preuve la fid\u00e9lit\u00e9 de leurs fianc\u00e9es respectives en se faisant passer pour d\u2019autres. Cette version fait fi du d\u00e9guisement trompeur et propose un jeu assum\u00e9 par les deux couples, rendant aux figures f\u00e9minines leur part de libre-arbitre. D\u2019o\u00f9 ce nouveau titre, <em>Cos\u00ec fan tutti<\/em> (\u00ab C\u2019est ce que tout le monde fait \u00bb). Six chanteurs au plateau et neuf musiciens en fosse s\u2019emparent de l\u2019adaptation musicale sign\u00e9e Ma\u00ebl Bailly qui, par cette instrumentation in\u00e9dite, donne \u00e0 la partition originale des couleurs actuelles.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-1\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mise en sc\u00e8ne et adaptation du livret Antonio Cuenca Ruiz \u2022 Musique Ma\u00ebl Bailly \u2022 d\u2019apr\u00e8s Wolfgang Amadeus Mozart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction artistique de Miroirs \u00c9tendus Romain Louveau \u2022 Direction musicale Fiona Monbet \u2022 en alternance avec L\u00e9o Margue \u2022 Sc\u00e9nographie et costumes Bastien Poncelet \u2022 Eclairagiste Philippe Gladieux \u2022 Assistanat \u00e0 la mise en sc\u00e8ne Maud Morillon \u2022 Charg\u00e9e de production Flora Laborde \u2022 Photographies Pierre Martin Oriol (toile et retouches) &amp; Antonio Cuenca Ruiz (ouverture) \u2022 R\u00e9gie lumi\u00e8re Valentin Bodier \u2022 R\u00e9gie g\u00e9n\u00e9rale Corentin Michat \u2022 R\u00e9gie plateau et r\u00e9gie d\u2019orchestre Olivier Bruggeman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiordiligi Margaux Poguet \u2022 Dorabella Mathilde Ortscheidt \u2022 Despina Marie Soubestre \u2022 Ferrando Sahy Ratia \u2022 GuglielmoRomain Dayez \u2022 Don AlfonsoRonan N\u00e9d\u00e9lec<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec l\u2019Ensemble Miroirs \u00c9tendus \u2022 Violon H\u00e9l\u00e8ne Mar\u00e9chaux \u2022 Violoncelle Marwane Champ en alternance avec Am\u00e9lie Potier \u2022 Saxophone Simona Castria \u2022 Clarinette Antoine Cambruzzi \u2022 Fl\u00fbtes Sarah Van der Vlist \u2022 Percussions Alice Ricochon \u2022 Ondes martenot &amp; Synth\u00e9tiseursC\u00e9cile Lartigau \u2022 Guitares J\u00e9r\u00e9my P\u00e9ret \u2022 Piano &amp; Synth\u00e9tiseursRomain Louveau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production : Miroirs \u00c9tendus<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h1 class=\"wp-block-heading\">\u00c9v\u00e9nements pass\u00e9s<\/h1>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/lamitie-est-une-fete.jpeg\" alt=\"\" class=\"wp-image-127\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>05\/12\/2025 : <em>L\u2019amiti\u00e9 est une f\u00eate<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">20h30, La Semaine Classique Du Lavoir, Lavoir Moderne Parisien, Paris 18e (<a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.lasemaineclassiquedulavoir.com\/%C3%A9dition-7-2025\"><strong>r\u00e9server ici<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab <em>Tout sera permis : Hanns Eisler, le compagnon de Brecht, c\u00f4toiera l\u2019univers de la compositrice franco-Iranienne Farnaz Modarresifar, mais rien ne nous emp\u00eachera de nous laisser parfois aller \u00e0 la volupt\u00e9 d\u2019un air d\u2019op\u00e9ra<\/em>.<br><em>Il y aura aussi n\u00e9cessairement des cr\u00e9ations originales de Franck Krawczyk : ces pi\u00e8ces dont on a toujours su l\u2019un et l\u2019autre qu\u2019elles finiraient par na\u00eetre de notre amiti\u00e9.<\/em><br><em>L\u2019amiti\u00e9 est une f\u00eate, quelqu\u2019un a forc\u00e9ment dit cela quelque part un jour.<\/em><br><em>Nous retrouver tous les deux sur sc\u00e8ne, ce sera une f\u00eate. Une f\u00eate de retrouvailles. Non, une f\u00eate de trouvailles !<\/em> \u00bb Marie S. et Franck K.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-2&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-2-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-2\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-2\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-2-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Marie Soubestre, soprano<br>Franck Krawczyk, piano, synth\u00e9tiseur et compositions<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"764\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/marie-antoinette.png\" alt=\"\" class=\"wp-image-117\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Copyright, Marie-Cl\u00e9mence David \/ CMN<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>05\/11\/2025 : \u00ab <em>L\u2019orante de Marie-Antoinette<\/em> \u00bb<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lecture performance de Catherine Froment<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19h30, La reine Marie-Antoinette par Catherine Froment et H\u00e9l\u00e8ne Delalex, Basilique Cath\u00e9drale de Saint Denis (<a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.saint-denis-basilique.fr\/agenda\/la-reine-marie-antoinette-par-catherine-froment-et-helene-delalex\"><strong>page de l\u2019\u00e9v\u00e8nement<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Comment r\u00e9veiller la figure de la reine Marie-Antoinette dans la basilique cath\u00e9drale Saint-Denis, \u00e0 l\u2019endroit m\u00eame o\u00f9 elle est inhum\u00e9e&nbsp;? De mani\u00e8re in\u00e9dite, c\u2019est \u00e0 partir de sa statue d\u2019orante que l\u2019autrice Catherine Froment revisitera la c\u00e9l\u00e8bre reine en donnant la parole \u00e0 cette statue r\u00e9alis\u00e9e par Pierre Petitot en 1830 et qui constitue sa derni\u00e8re repr\u00e9sentation, ou plut\u00f4t \u00ab&nbsp;son dernier corps&nbsp;\u00bb, selon l\u2019autrice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fig\u00e9e dans l\u2019intemporalit\u00e9 de la pierre, Marie-Antoinette se replongera dans les diff\u00e9rentes p\u00e9riodes de sa vie, depuis son arriv\u00e9e en France \u00e0 l\u2019\u00e2ge de quatorze ans jusqu\u2019\u00e0 son ex\u00e9cution \u00e0 l\u2019\u00e2ge de trente-sept ans. Une vie qui para\u00eet courte, mais contient en elle-m\u00eame plusieurs vies, \u00e0 travers les incarnations diff\u00e9rentes de sa personne suivant les p\u00e9riodes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La statue permettra \u00e0 cette \u00ab&nbsp;derni\u00e8re&nbsp;\u00bb Marie-Antoinette de porter un regard \u00e9tonnant aussi bien sur son existence pass\u00e9e que pr\u00e9sente, avec ceux qui lui rendent visite au quotidien, ouvrant ce dialogue -tant attendu- entre cette reine et le monde qui l\u2019entoure.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-3&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-3-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-3\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-3\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-3-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Lecture performance accompagn\u00e9e de la chanteuse lyrique Marie Soubestre et l\u2019organiste Fanny Cousseau.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborations artistiques&nbsp;: Fran\u00e7ois Popineau, compositeur&nbsp;; Dimitra Kontou et Odille Lauria, com\u00e9diennes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Remerciements au G\u00e9n\u00e9rateur \u00e0 Gentilly ainsi qu\u2019\u00e0 Nouveau Gare au Th\u00e9\u00e2tre \u00e0 Vitry-sur-Seine pour leur contribution.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>29\/08\/2025 : <em>Du c\u00f4t\u00e9 de ta m\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">22h30, Musique en Tonnerrois, Chateau de Meaulnes (<a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.musiquesentonnerrois.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">r\u00e9server ici<\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Entre la conf\u00e9rence, le one-woman-show et le r\u00e9cital de Lied, Maroussia Gentet et Marie Soubestre nous livrent leur rapport \u00e0 Proust et divaguent parmi les r\u00e9sonances\u2026<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-4&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-4-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-4\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-4\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-4-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>R\u00e9pertoire :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Schumann Bunte Bl\u00e4tter n\u00b01, piano solo<\/li>\n\n\n\n<li>Faur\u00e9 : extrait de la Bonne chanson \u00ab Puisque l\u2019aube grandit \u00bb<\/li>\n\n\n\n<li>G\u00e9rard Pesson : Schumann, deuxi\u00e8me pi\u00e8ce des Portraits de musiciens. (Melodrame)<\/li>\n\n\n\n<li>Lili Boulanger : extrait de Trois morceaux pour piano, 1. D\u2019un vieux jardin<\/li>\n\n\n\n<li>Reynaldo Hahn : Love without wings (cycle de 3 pi\u00e8ces)<\/li>\n\n\n\n<li>Kurtag : Lioubov (court extrait des Rimma Dalos)<\/li>\n\n\n\n<li>Liszt\/Wagner : la mort d\u2019Isolde, piano solo<\/li>\n\n\n\n<li>Kurtag : pi\u00e8ce \u00e0 4 mains, extrait des Jatekok \u00ab&nbsp;Les hommes sont des fleurs&nbsp;\u00bb<\/li>\n\n\n\n<li>Debussy : Le jet d\u2019eau, extrait des po\u00e8mes de Baudelaire<\/li>\n\n\n\n<li>Stravinsky : Three japanese songs N\u00b01 et 3<\/li>\n\n\n\n<li>Madeleine Isaksson, \u00c9crits sur l\u2019eau n\u00b01 et 2 (2019)<\/li>\n\n\n\n<li>Faur\u00e9 : extrait de la Bonne chanson \u00ab La lune blanche luit dans les bois \u00bb<\/li>\n\n\n\n<li>Ravel : Vocalise-\u00e9tude<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Texte original<\/strong> : Marie Soubestre<br><strong>Conception<\/strong> : Marie Soubestre et Maroussia Gentet<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/06\/IMG_0788.jpeg\" alt=\"\" class=\"wp-image-131\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>25\/07\/2025 : <em>Concert de cl\u00f4ture<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">21h00, concert de cl\u00f4ture du festival de musique des Arcs (<a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/festivaldesarcs.com\/programme\/concert-34\/\"><strong>page de l\u2019\u00e9v\u00e9nement<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-5&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-5-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-5\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-5\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-5-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Farnaz Modarresifar (1989)<\/strong><br>Balades oniriques (12\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2192 Marie Soubestre, soprano<br>\u2192 NC, soprano<br>\u2192 Farnaz Modarresifar, sant\u00fbr<br>\u2192 Nathalie Chabot, violon<br>\u2192 Caroline Esposito, piano<br>\u2192 Emmanuel Curt, percussions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Camille Saint Sa\u00ebns (1835-1921)<\/strong><br>Le carnaval des animaux (30\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2192 Augustin Dumay, direction<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/06\/IMG_0788.jpeg\" alt=\"\" class=\"wp-image-131\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>22\/07\/2025 : <em>\u00ab&nbsp;La contrebasse dans tous ses \u00e9tats&nbsp;\u00bb<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">18h00, concert au festival de musique des Arcs, (<strong><a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/festivaldesarcs.com\/programme\/concert-21\/\">page de l\u2019\u00e9v\u00e9nement<\/a><\/strong>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-6&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-6-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-6\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-6\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-6-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Giovanni Bottesini (1821 \u2013 1889)<\/strong><br>Concerto alla Mendelssohn (12\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2192 Eckhard Rudolph, contrebasse<br>\u2192 Virgile Roche, piano<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Farnaz Modarresifar (1989)<\/strong><br>Dis (8\u2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2192 Marie Soubestre, soprano<br>\u2192 Farnaz Modarresifar, sant\u00fbr<br>\u2192 Rapha\u00ebl Chr\u00e9tien, violoncelle<br>\u2192 Eckhard Rudolph, contrebasse<br>\u2192 Virgile Roche, piano<br>\u2192 Emmanuel Curt, percussions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Franz Schubert (1797-1828)<\/strong><br>La truite (38\u2019)<br><em>Allegro vivace \/ Andante \/ Scherzo (presto) \/ Tema (andante) \/ Finale : allegro giusto<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2192 Pierre Fouchenneret, violon<br>\u2192 Michel Michalakakos, alto<br>\u2192 Xavier Gagnepain, violoncelle<br>\u2192 Eckhard Rudolph, contrebasse<br>\u2192 Romain Descharmes, piano<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>14\/06\/2025 : <em>Concert du Choeur Verte Folium<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">20h, Temple des Batignolles, Paris 17e (<strong><a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.choeurvertefolium.org\/concerts.html\" target=\"_blank\" rel=\"noreferrer noopener\">r\u00e9server ici<\/a><\/strong>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Verte Folium (VF), litt\u00e9ralement \u00ab&nbsp;<em>tournez la page<\/em>\u00ab&nbsp;, est une mention figurant au bas des anciennes copies. Pour notre chorale, l\u2019\u00e9vocation des nombreuses partitions \u00e9tudi\u00e9es. Rien \u00e0 voir avec la botanique !<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-7&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-7-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-7\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-7\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-7-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Et nous en avons tourn\u00e9 ensemble, des pages, depuis la fondation du ch\u0153ur, \u00e0 l\u2019automne 2006 sous la direction musicale d\u2019Emmanuelle Drouhard !<br>\u200bNos choix musicaux proviennent d\u2019un r\u00e9pertoire classique vari\u00e9, traversant l\u2019histoire et les fronti\u00e8res, les formes, les genres et les styles, comme en t\u00e9moigne chacun de nos concerts. M\u00e9lodies fran\u00e7aises, lieder et chorals allemands, ch\u0153urs d\u2019op\u00e9ra, musique sacr\u00e9e couvrant une p\u00e9riode de la fin du 18\u00e8me si\u00e8cle jusqu\u2019\u00e0 nos jours.\u200b<br>Nous avons la chance de b\u00e9n\u00e9ficier de cours de technique vocale dispens\u00e9s par deux chanteuses lyriques professionnelles, Marie Soubestre et Marina Ruiz. Marie Soubestre est notre soliste en concert et Cl\u00e9ment Darlu, notre pianiste accompagnateur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/Miroirs-Etendus-Cosi-fan-tutti-2-\u00a9Pascale-Colette.jpg\" alt=\"\" class=\"wp-image-123\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Pascale Cholette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>05 et 06\/06\/2025 : <em>Cosi fan Tutti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Despina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20h, TOURCOING, Th\u00e9\u00e2tre municipal Raymond Devos (<strong><a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.atelierlyriquedetourcoing.fr\/cosi-fan-tutti-05-et-06-juin-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\">r\u00e9server ici<\/a><\/strong>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci <em>Cos\u00ec fan tutte<\/em> (\u00ab c\u2019est ce qu\u2019elles font toutes \u00bb) de Mozart. L\u2019intrigue d\u2019origine est simple : deux jeunes hommes mettent \u00e0 l\u2019\u00e9preuve la fid\u00e9lit\u00e9 de leurs fianc\u00e9es respectives en se faisant passer pour d\u2019autres. Cette version fait fi du d\u00e9guisement trompeur et propose un jeu assum\u00e9 par les deux couples, rendant aux figures f\u00e9minines leur part de libre-arbitre. D\u2019o\u00f9 ce nouveau titre, <em>Cos\u00ec fan tutti<\/em> (\u00ab C\u2019est ce que tout le monde fait \u00bb). Six chanteurs au plateau et neuf musiciens en fosse s\u2019emparent de l\u2019adaptation musicale sign\u00e9e Ma\u00ebl Bailly qui, par cette instrumentation in\u00e9dite, donne \u00e0 la partition originale des couleurs actuelles.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-8&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-8-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-8\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-8\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-8-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mise en sc\u00e8ne et adaptation du livret Antonio Cuenca Ruiz \u2022 Musique Ma\u00ebl Bailly \u2022 d\u2019apr\u00e8s Wolfgang Amadeus Mozart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction artistique de Miroirs \u00c9tendus Romain Louveau \u2022 Direction musicale Fiona Monbet \u2022 en alternance avec L\u00e9o Margue \u2022 Sc\u00e9nographie et costumes Bastien Poncelet \u2022 Eclairagiste Philippe Gladieux \u2022 Assistanat \u00e0 la mise en sc\u00e8ne Maud Morillon \u2022 Charg\u00e9e de production Flora Laborde \u2022 Photographies Pierre Martin Oriol (toile et retouches) &amp; Antonio Cuenca Ruiz (ouverture) \u2022 R\u00e9gie lumi\u00e8re Valentin Bodier \u2022 R\u00e9gie g\u00e9n\u00e9rale Corentin Michat \u2022 R\u00e9gie plateau et r\u00e9gie d\u2019orchestre Olivier Bruggeman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiordiligi Margaux Poguet \u2022 Dorabella Mathilde Ortscheidt \u2022 Despina Marie Soubestre \u2022 Ferrando Sahy Ratia \u2022 GuglielmoRomain Dayez \u2022 Don AlfonsoRonan N\u00e9d\u00e9lec<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec l\u2019 Ensemble Miroirs \u00c9tendus \u2022 Violon H\u00e9l\u00e8ne Mar\u00e9chaux \u2022 Violoncelle Marwane Champ en alternance avec Am\u00e9lie Potier \u2022 Saxophone Simona Castria \u2022 Clarinette Antoine Cambruzzi \u2022 Fl\u00fbtes Sarah Van der Vlist \u2022 Percussions Alice Ricochon \u2022 Ondes martenot &amp; Synth\u00e9tiseursC\u00e9cile Lartigau \u2022 Guitares J\u00e9r\u00e9my P\u00e9ret \u2022 Piano &amp; Synth\u00e9tiseursRomain Louveau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production : Miroirs \u00c9tendus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coproduction : Atelier Lyrique de Tourcoing, Op\u00e9ra de Lille, Th\u00e9\u00e2tre Imp\u00e9rial \u2013 Op\u00e9ra de Compi\u00e8gne, Th\u00e9\u00e2tre du Beauvaisis \/ sc\u00e8ne nationale<br>Soutiens et accueils en r\u00e9sidence : MC2 Grenoble, Op\u00e9ra de Rennes, La Barcarolle \u2013 le Moulin \u00e0 Caf\u00e9, Malraux sc\u00e8ne nationale Chamb\u00e9ry Savoie, la Caisse des D\u00e9p\u00f4ts<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/Miroirs-Etendus-Cosi-fan-tutti-2-\u00a9Pascale-Colette.jpg\" alt=\"\" class=\"wp-image-123\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Pascale Cholette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>22\/05\/2025 : <em>Cosi fan Tutti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Despina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20h30, Th\u00e9\u00e2tre imp\u00e9rial de Compiegne (<a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.theatresdecompiegne.com\/cos-fan-tutti-529\" target=\"_blank\"><strong>r\u00e9server ici<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci <em>Cos\u00ec fan tutte<\/em> (\u00ab c\u2019est ce qu\u2019elles font toutes \u00bb) de Mozart. L\u2019intrigue d\u2019origine est simple : deux jeunes hommes mettent \u00e0 l\u2019\u00e9preuve la fid\u00e9lit\u00e9 de leurs fianc\u00e9es respectives en se faisant passer pour d\u2019autres. Cette version fait fi du d\u00e9guisement trompeur et propose un jeu assum\u00e9 par les deux couples, rendant aux figures f\u00e9minines leur part de libre-arbitre. D\u2019o\u00f9 ce nouveau titre, <em>Cos\u00ec fan tutti<\/em> (\u00ab C\u2019est ce que tout le monde fait \u00bb). Six chanteurs au plateau et neuf musiciens en fosse s\u2019emparent de l\u2019adaptation musicale sign\u00e9e Ma\u00ebl Bailly qui, par cette instrumentation in\u00e9dite, donne \u00e0 la partition originale des couleurs actuelles.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-9&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-9-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-9\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-9\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-9-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mise en sc\u00e8ne et adaptation du livret Antonio Cuenca Ruiz \u2022 Musique Ma\u00ebl Bailly \u2022 d\u2019apr\u00e8s Wolfgang Amadeus Mozart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction artistique de Miroirs \u00c9tendus Romain Louveau \u2022 Direction musicale Fiona Monbet \u2022 en alternance avec L\u00e9o Margue \u2022 Sc\u00e9nographie et costumes Bastien Poncelet \u2022 Eclairagiste Philippe Gladieux \u2022 Assistanat \u00e0 la mise en sc\u00e8ne Maud Morillon \u2022 Charg\u00e9e de production Flora Laborde \u2022 Photographies Pierre Martin Oriol (toile et retouches) &amp; Antonio Cuenca Ruiz (ouverture) \u2022 R\u00e9gie lumi\u00e8re Valentin Bodier \u2022 R\u00e9gie g\u00e9n\u00e9rale Corentin Michat \u2022 R\u00e9gie plateau et r\u00e9gie d\u2019orchestre Olivier Bruggeman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiordiligi Margaux Poguet \u2022 Dorabella Mathilde Ortscheidt \u2022 Despina Marie Soubestre \u2022 Ferrando Sahy Ratia \u2022 GuglielmoRomain Dayez \u2022 Don AlfonsoRonan N\u00e9d\u00e9lec<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec l\u2019 Ensemble Miroirs \u00c9tendus \u2022 Violon H\u00e9l\u00e8ne Mar\u00e9chaux \u2022 Violoncelle Marwane Champ en alternance avec Am\u00e9lie Potier \u2022 Saxophone Simona Castria \u2022 Clarinette Antoine Cambruzzi \u2022 Fl\u00fbtes Sarah Van der Vlist \u2022 Percussions Alice Ricochon \u2022 Ondes martenot &amp; Synth\u00e9tiseursC\u00e9cile Lartigau \u2022 Guitares J\u00e9r\u00e9my P\u00e9ret \u2022 Piano &amp; Synth\u00e9tiseursRomain Louveau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production : Miroirs \u00c9tendus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coproduction : Atelier Lyrique de Tourcoing, Op\u00e9ra de Lille, Th\u00e9\u00e2tre Imp\u00e9rial \u2013 Op\u00e9ra de Compi\u00e8gne, Th\u00e9\u00e2tre du Beauvaisis \/ sc\u00e8ne nationale<br>Soutiens et accueils en r\u00e9sidence : MC2 Grenoble, Op\u00e9ra de Rennes, La Barcarolle \u2013 le Moulin \u00e0 Caf\u00e9, Malraux sc\u00e8ne nationale Chamb\u00e9ry Savoie, la Caisse des D\u00e9p\u00f4ts<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"2084\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/06\/IMG_0669.jpeg\" alt=\"\" class=\"wp-image-129\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Mercredi 9 avril 2025 : <em>Ballades oniriques<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Gen\u00e8ve \u2013 Festival Archipel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lien : <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/impulsneuemusik.com\/fr\/projets\/18eme-cycle-de-soutien\/#balades-oniriques-portraet-farnaz-modarresifar\">https:\/\/impulsneuemusik.com\/fr\/projets\/18eme-cycle-de-soutien\/#balades-oniriques-portraet-farnaz-modarresifar<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Oeuvres de Farnaz Modarresi-Far \/ ensemble Recherche<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec :&nbsp;<br>Farnaz Modarresi-Far (santour) \/ ensemble Recherche (fl\u00fbte, clarinette, violon, contrebasse)<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-10&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-10-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-10\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-10\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-10-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">La musique de compositrice et santouriste Farnaz Modarresifar (bas\u00e9 \u00e0 Paris) explore l\u2019espace entre les timbres et les contours m\u00e9lodiques\/modaux de la musique traditionnelle iranienne et la musique soi-disant post-spectrale occidentale. Le r\u00e9sultat sonore est une esth\u00e9tique hybride qui est profond\u00e9ment originale et captivante. \u201eBalades oniriques\u201c est un programme enti\u00e8rement consacr\u00e9 \u00e0 la musique de Mme Modarresifar, dans lequel elle jouera au santour aux c\u00f4t\u00e9s des interpr\u00e8tes de l\u2019Ensemble Recherche \u00e0 la fois de la musique improvis\u00e9e et de la musique compos\u00e9e. Au c\u0153ur de ce projet se trouve une nouvelle \u0153uvre pour santour, chanteuse, fl\u00fbte, percussions, piano, violon et alto avec amplification.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mme Modarresifar fera une courte r\u00e9sidence \u00e0 Fribourg en avril 2025 pour travailler avec notre ensemble. Le programme sera cr\u00e9\u00e9 \u00e0 Gen\u00e8ve dans le cadre du festival Archipel 2025 et sera ensuite repris \u00e0 Fribourg dans le cadre de la s\u00e9rie de concerts d\u2019abonnement de l\u2019Ensemble Recherche<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/Miroirs-Etendus-Cosi-fan-tutti-2-\u00a9Pascale-Colette.jpg\" alt=\"\" class=\"wp-image-123\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Pascale Cholette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>30\/01, puis 1er, 5, 8 et 9\/02\/2025 : <em>Cosi fan Tutti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Despina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20h, Ath\u00e9n\u00e9e, Th\u00e9\u00e2tre Louis Jouvet, Paris 9e (<a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.athenee-theatre.com\/saison\/spectacle\/cosi-fan-tutti-l_ecole-des-amants-.htm\" target=\"_blank\"><strong>r\u00e9server ici<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci <em>Cos\u00ec fan tutte<\/em> (\u00ab c\u2019est ce qu\u2019elles font toutes \u00bb) de Mozart. L\u2019intrigue d\u2019origine est simple : deux jeunes hommes mettent \u00e0 l\u2019\u00e9preuve la fid\u00e9lit\u00e9 de leurs fianc\u00e9es respectives en se faisant passer pour d\u2019autres. Cette version fait fi du d\u00e9guisement trompeur et propose un jeu assum\u00e9 par les deux couples, rendant aux figures f\u00e9minines leur part de libre-arbitre. D\u2019o\u00f9 ce nouveau titre, <em>Cos\u00ec fan tutti<\/em> (\u00ab C\u2019est ce que tout le monde fait \u00bb). Six chanteurs au plateau et neuf musiciens en fosse s\u2019emparent de l\u2019adaptation musicale sign\u00e9e Ma\u00ebl Bailly qui, par cette instrumentation in\u00e9dite, donne \u00e0 la partition originale des couleurs actuelles.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-11&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-11-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-11\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-11\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-11-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mise en sc\u00e8ne et adaptation du livret Antonio Cuenca Ruiz \u2022 Musique Ma\u00ebl Bailly \u2022 d\u2019apr\u00e8s Wolfgang Amadeus Mozart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction artistique de Miroirs \u00c9tendus Romain Louveau \u2022 Direction musicale Fiona Monbet \u2022 en alternance avec L\u00e9o Margue \u2022 Sc\u00e9nographie et costumes Bastien Poncelet \u2022 Eclairagiste Philippe Gladieux \u2022 Assistanat \u00e0 la mise en sc\u00e8ne Maud Morillon \u2022 Charg\u00e9e de production Flora Laborde \u2022 Photographies Pierre Martin Oriol (toile et retouches) &amp; Antonio Cuenca Ruiz (ouverture) \u2022 R\u00e9gie lumi\u00e8re Valentin Bodier \u2022 R\u00e9gie g\u00e9n\u00e9rale Corentin Michat \u2022 R\u00e9gie plateau et r\u00e9gie d\u2019orchestre Olivier Bruggeman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiordiligi Margaux Poguet \u2022 Dorabella Mathilde Ortscheidt \u2022 Despina Marie Soubestre \u2022 Ferrando Sahy Ratia \u2022 GuglielmoRomain Dayez \u2022 Don AlfonsoRonan N\u00e9d\u00e9lec<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec l\u2019 Ensemble Miroirs \u00c9tendus \u2022 Violon H\u00e9l\u00e8ne Mar\u00e9chaux \u2022 Violoncelle Marwane Champ en alternance avec Am\u00e9lie Potier \u2022 Saxophone Simona Castria \u2022 Clarinette Antoine Cambruzzi \u2022 Fl\u00fbtes Sarah Van der Vlist \u2022 Percussions Alice Ricochon \u2022 Ondes martenot &amp; Synth\u00e9tiseursC\u00e9cile Lartigau \u2022 Guitares J\u00e9r\u00e9my P\u00e9ret \u2022 Piano &amp; Synth\u00e9tiseursRomain Louveau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production : Miroirs \u00c9tendus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coproduction : Atelier Lyrique de Tourcoing, Op\u00e9ra de Lille, Th\u00e9\u00e2tre Imp\u00e9rial \u2013 Op\u00e9ra de Compi\u00e8gne, Th\u00e9\u00e2tre du Beauvaisis \/ sc\u00e8ne nationale<br>Soutiens et accueils en r\u00e9sidence : MC2 Grenoble, Op\u00e9ra de Rennes, La Barcarolle \u2013 le Moulin \u00e0 Caf\u00e9, Malraux sc\u00e8ne nationale Chamb\u00e9ry Savoie, la Caisse des D\u00e9p\u00f4ts<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/ms.5up3r83d0um.xyz\/wp-content\/uploads\/2026\/05\/Miroirs-Etendus-Cosi-fan-tutti-2-\u00a9Pascale-Colette.jpg\" alt=\"\" class=\"wp-image-123\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 Pascale Cholette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>21 et 22\/01\/2025 : <em>Cosi fan Tutti<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Despina<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Espace Malraux \u00e0 Chamb\u00e9ry, \u00e0 20h (<a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.malrauxchambery.fr\/project\/cosi-fan-tutti-24-25\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>r\u00e9server ici<\/strong><\/a>)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci <em>Cos\u00ec fan tutte<\/em> (\u00ab c\u2019est ce qu\u2019elles font toutes \u00bb) de Mozart. L\u2019intrigue d\u2019origine est simple : deux jeunes hommes mettent \u00e0 l\u2019\u00e9preuve la fid\u00e9lit\u00e9 de leurs fianc\u00e9es respectives en se faisant passer pour d\u2019autres. Cette version fait fi du d\u00e9guisement trompeur et propose un jeu assum\u00e9 par les deux couples, rendant aux figures f\u00e9minines leur part de libre-arbitre. D\u2019o\u00f9 ce nouveau titre, <em>Cos\u00ec fan tutti<\/em> (\u00ab C\u2019est ce que tout le monde fait \u00bb). Six chanteurs au plateau et neuf musiciens en fosse s\u2019emparent de l\u2019adaptation musicale sign\u00e9e Ma\u00ebl Bailly qui, par cette instrumentation in\u00e9dite, donne \u00e0 la partition originale des couleurs actuelles.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-12&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-12-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-12\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-12\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-12-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Mise en sc\u00e8ne et adaptation du livret Antonio Cuenca Ruiz \u2022 Musique Ma\u00ebl Bailly \u2022 d\u2019apr\u00e8s Wolfgang Amadeus Mozart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Direction artistique de Miroirs \u00c9tendus Romain Louveau \u2022 Direction musicale Fiona Monbet \u2022 en alternance avec L\u00e9o Margue \u2022 Sc\u00e9nographie et costumes Bastien Poncelet \u2022 Eclairagiste Philippe Gladieux \u2022 Assistanat \u00e0 la mise en sc\u00e8ne Maud Morillon \u2022 Charg\u00e9e de production Flora Laborde \u2022 Photographies Pierre Martin Oriol (toile et retouches) &amp; Antonio Cuenca Ruiz (ouverture) \u2022 R\u00e9gie lumi\u00e8re Valentin Bodier \u2022 R\u00e9gie g\u00e9n\u00e9rale Corentin Michat \u2022 R\u00e9gie plateau et r\u00e9gie d\u2019orchestre Olivier Bruggeman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiordiligi Margaux Poguet \u2022 Dorabella Mathilde Ortscheidt \u2022 Despina Marie Soubestre \u2022 Ferrando Sahy Ratia \u2022 GuglielmoRomain Dayez \u2022 Don AlfonsoRonan N\u00e9d\u00e9lec<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec l\u2019 Ensemble Miroirs \u00c9tendus \u2022 Violon H\u00e9l\u00e8ne Mar\u00e9chaux \u2022 Violoncelle Marwane Champ en alternance avec Am\u00e9lie Potier \u2022 Saxophone Simona Castria \u2022 Clarinette Antoine Cambruzzi \u2022 Fl\u00fbtes Sarah Van der Vlist \u2022 Percussions Alice Ricochon \u2022 Ondes martenot &amp; Synth\u00e9tiseursC\u00e9cile Lartigau \u2022 Guitares J\u00e9r\u00e9my P\u00e9ret \u2022 Piano &amp; Synth\u00e9tiseursRomain Louveau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Production : Miroirs \u00c9tendus<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Coproduction : Atelier Lyrique de Tourcoing, Op\u00e9ra de Lille, Th\u00e9\u00e2tre Imp\u00e9rial \u2013 Op\u00e9ra de Compi\u00e8gne, Th\u00e9\u00e2tre du Beauvaisis \/ sc\u00e8ne nationale<br>Soutiens et accueils en r\u00e9sidence : MC2 Grenoble, Op\u00e9ra de Rennes, La Barcarolle \u2013 le Moulin \u00e0 Caf\u00e9, Malraux sc\u00e8ne nationale Chamb\u00e9ry Savoie, la Caisse des D\u00e9p\u00f4ts<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>15\/09\/24 : <em>Wheight of waiting<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Cr\u00e9ation mondiale<br>19h, CNSMDP<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Concert du prix de composition<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-13&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-13-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-13\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-13\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-13-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Claire Levacher, Direction&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Orchestre des Laur\u00e9ats du conservatoire (OLC)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.conservatoiredeparis.fr\/fr\/saison-20232024\/concert-du-prix-de-composition-1ere-partie\">https:\/\/www.conservatoiredeparis.fr\/fr\/saison-20232024\/concert-du-prix-de-composition-1ere-partie<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Cr\u00e9dit Martin Noda<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>15\/06\/24 : <em>Concert du Choeur Verte Folium<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">20h30, Temple des Batignolles, Paris. <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.choeurvertefolium.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>(R\u00e9servez ici)<\/strong><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>6 et 7\/06\/24 : <em>Carmen, \u00e9trang\u00e8re famili\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Le Ph\u00e9nix, Valenciennes <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.lephenix.fr\/projects\/carmen-etrangere-familiere-23-24\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>(r\u00e9servez ici)<\/strong><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-14&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-14-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-14\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-14\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-14-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp; Lumi\u00e8res, Nolwenn Delcamp-RisseR\u00e9gie g\u00e9n\u00e9rale, Georges Dessaux<br>Carmen, Claire P\u00e9ron<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Annabelle Gouache (violoncelle), Jos\u00e9phine Besan\u00e7on (clarinettes), No\u00e9 Nillni (trompette), Qiaochu Li (piano), Emmanuel Jacquet (percussions)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/dianasoh.com\">https:\/\/dianasoh.com<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>11\/05\/24 : <em>Vol de nuit<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Prieur\u00e9 du Bourget du lac \/ festival la breche<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h6 class=\"wp-block-heading\">\u00ab I Forget \u00bb cr\u00e9ation de Diana Soh<br>Pour contrebasse et soprano<\/h6>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-15&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-15-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-15\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-15\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-15-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.labrechefestival.com\">https:\/\/www.labrechefestival.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">France, Aix-les-bains, 2023-05-07. La breche Festival \u2013 Aix-au-tresor \u2013 . Photographie de Martin Noda \/ Hans Lucas<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>04\/05\/24 : <em>Carmen au tr\u00e9sor<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Aix les bains \/ La Breche festival<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Imagin\u00e9e par l\u2019\u00e9crivaine Esmee Planchon<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-16&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-16-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-16\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-16\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-16-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Esm\u00e9 Planchon<br>Marie Soubestre, soprano<br>Sven Riondet, accord\u00e9on<br>Jos\u00e9phine Besan\u00e7on, clarinette<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.labrechefestival.com\">https:\/\/www.labrechefestival.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen, mise en sc\u00e8ne d\u2019Antoine Thiollier, juin 2022 \u00a9 Vinciane Lebrun\/Voyez-Vous<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>02\/05\/24 : <em>Carmen, \u00e9trang\u00e8re famili\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f4le de Micaela<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">20h Casino d\u2019Aix les Bains \/ la Breche festival <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.labrechefestival.com\/\" target=\"_blank\"><strong>(r\u00e9servez ici)<\/strong><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-17&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-17-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-17\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-17\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-17-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp; Lumi\u00e8res, Nolwenn Delcamp-RisseR\u00e9gie g\u00e9n\u00e9rale, Georges Dessaux<br>Carmen, Claire P\u00e9ron<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Annabelle Gouache (violoncelle), Jos\u00e9phine Besan\u00e7on (clarinettes), No\u00e9 Nillni (trompette), Qiaochu Li (piano), Emmanuel Jacquet (percussions)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>25\/04\/24 : <em>Possibles places<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">20h, CRR de Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ensemble 2e2m<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Cr\u00e9ation de \u00ab Dis \u00bb de Farnaz Modarresifar<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-18&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-18-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-18\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-18\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-18-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Direction L\u00e9o Margue<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.ensemble2e2m.com\/fr\/page-78\/detail-341\/possible-places.html\">https:\/\/www.ensemble2e2m.com\/fr\/page-78\/detail-341\/possible-places.html<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>05\/02\/24 : <em>Orchestre de Fl\u00fbtes de France (OFF)<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">20h, Forum L\u00e9opold S\u00e9dar Senghor, 55-63 bd Bargue,<br>93370 Montfermeil<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Cr\u00e9ation de Phoi Buu et de Irlando Danieli<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>26 et 27\/11\/23 : <em>Concert de cr\u00e9ation<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">19h, Studio l\u2019accord parfait, Paris<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-19&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-19-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-19\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-19\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-19-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Pi\u00e8ces de Phoi Buu et Fran\u00e7ois Henry<br>Fran\u00e7ois Henry, piano<br>Marie Soubestre, soprano<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">France, Gresy-sur-aix, 2023-04-30. La breche Festival \u2013 Conte du Ventemps \u2013 Marie Soubestre et Sarah Van der Vlist. Photographie de Martin Noda \/ Hans Lucas<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Septembre 2023 : <em>Le conte du Ventemps<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Dans le cadre du Programme DRAC Plaine d\u2019\u00e9t\u00e9 dans les Hauts-de-France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">02.09.2023 Office du Tourisme d\u2019Hesdin (62)<br>03.09.2023 Abbaye de Dommartin (62)<br>16.09.2023 Eglise de Mametz (62)<br>17.09.2023 Jardin de la Mairie de Saint-Omer (62)<br>26.09.2023 CHI de Fitz James (60)<br>27.09.2023 Lyc\u00e9e Truffaut de Beauvais (60)<br>28.09.2023 Lyc\u00e9e Jeanne Hachette de Beauvais (60)<br>28.09.2023 Lyc\u00e9e Paul Langevin de Beauvais (60)<br>29.09.2023 Coll\u00e8ge Petite For\u00eat (59)<br>30.09.2023 Biblioth\u00e8que de Petite For\u00eat (59)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-20&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-20-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-20\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-20\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-20-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">D\u2019apr\u00e8s Alain Damasio<br>Musique d\u2019Othman Louati<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarah Van der Vlist, fl\u00fbtes<br>Marie Soubestre, soprano et r\u00e9citante<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.miroirsetendus.com\/le-conte-du-ventemps-2023\">https:\/\/www.miroirsetendus.com\/le-conte-du-ventemps-2023<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>11\/07\/23 : <em>Du c\u00f4t\u00e9 de ta m\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">21h30, Lagrasse. En blanc et noir, festival international de piano. <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/http:\/\/www.enblancetnoir.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Entre la conf\u00e9rence, le one-woman-show et le r\u00e9cital de Lied, Maroussia Gentet et Marie Soubestre nous livrent leur rapport \u00e0 Proust et divaguent parmi les r\u00e9sonances\u2026<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-21&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-21-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-21\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-21\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-21-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>R\u00e9pertoire :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Schumann Bunte Bl\u00e4tter n\u00b01, piano solo<\/li>\n\n\n\n<li>Faur\u00e9 : extrait de la Bonne chanson \u00ab Puisque l\u2019aube grandit \u00bb<\/li>\n\n\n\n<li>G\u00e9rard Pesson : Schumann, deuxi\u00e8me pi\u00e8ce des Portraits de musiciens. (Melodrame)<\/li>\n\n\n\n<li>Lili Boulanger : extrait de Trois morceaux pour piano, 1. D\u2019un vieux jardin<\/li>\n\n\n\n<li>Reynaldo Hahn : Love without wings (cycle de 3 pi\u00e8ces)<\/li>\n\n\n\n<li>Kurtag : Lioubov (court extrait des Rimma Dalos)<\/li>\n\n\n\n<li>Liszt\/Wagner : la mort d\u2019Isolde, piano solo<\/li>\n\n\n\n<li>Kurtag : pi\u00e8ce \u00e0 4 mains, extrait des Jatekok \u00ab&nbsp;Les hommes sont des fleurs&nbsp;\u00bb<\/li>\n\n\n\n<li>Debussy : Le jet d\u2019eau, extrait des po\u00e8mes de Baudelaire<\/li>\n\n\n\n<li>Stravinsky : Three japanese songs N\u00b01 et 3<\/li>\n\n\n\n<li>Madeleine Isaksson, \u00c9crits sur l\u2019eau n\u00b01 et 2 (2019)<\/li>\n\n\n\n<li>Faur\u00e9 : extrait de la Bonne chanson \u00ab La lune blanche luit dans les bois \u00bb<\/li>\n\n\n\n<li>Ravel : Vocalise-\u00e9tude<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Texte original<\/strong> : Marie Soubestre<br><strong>Conception<\/strong> : Marie Soubestre et Maroussia Gentet<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>30\/06\/23 : <em>Carmen, \u00e9trang\u00e8re famili\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">21h Ch\u00e2teau des ducs de Savoie, Chamb\u00e9ry. <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.infoconcert.com\/ticket\/concert-carmen--opera-de-bizet-chambery\/1522369.html\" target=\"_blank\" rel=\"noreferrer noopener\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-22&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-22-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-22\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-22\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-22-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lumi\u00e8res, Nolwenn Delcamp-Risse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9gie g\u00e9n\u00e9rale, Georges Dessaux<br>Carmen, Claire P\u00e9ron<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Annabelle Gouache (violoncelle), Jos\u00e9phine Besan\u00e7on (clarinettes), No\u00e9 Nillni (trompette), Qiaochu Li (piano), Emmanuel Jacquet (percussions)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>09 et 10\/06\/22 : <em>L\u2019Op\u00e9ra c\u2019est vous<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">19h, Th\u00e9\u00e2tres des Bouffes du Nord (Paris). <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.bouffesdunord.com\/fr\/la-saison\/rappelle-moi\" target=\"_blank\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Parcours musical \u00e0 partir d\u2019extraits de La Voix humaine de Jean Cocteau et Francis Poulenc, le mythe de Narcisse et Echo, et de m\u00e9lodies et d\u2019hymnes d\u2019origines diverses.<br>Restitution du travail de cr\u00e9ation men\u00e9 pendant l\u2019ann\u00e9e scolaire avec les \u00e9l\u00e8ves de diff\u00e9rents \u00e9tablissements d\u2019Ile de France.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-23&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-23-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-23\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-23\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-23-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Plein Jour \/ direction artistique : Franck Krawczyk<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Marie Soubestre <\/strong>soprano<br><strong>Carjez Gerretsen <\/strong>clarinette<br><strong>Franck Krawczyk<\/strong> clavier et accord\u00e9on<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>06 et 08\/06\/23 : <em>Allonz\u2019enfants !<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">21h, la Seine musicale (Paris). <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.insulaorchestra.fr\/choeur-des-colleges\/\" target=\"_blank\" rel=\"noreferrer noopener\">R\u00e9sever ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">De la Moldau \u00e0 la Seine musicale<br>Ch\u0153ur des coll\u00e8ges 2022-2023 avec le D\u00e9partement des Hauts-de-Seine<br>Insula orchestra et le ch\u0153ur Accentus.<br>Projet original en cinq actes du compositeur Franck Krawczyk autour d\u2019hymnes et de chants engag\u00e9s<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>17\/06\/23 : <em>Concert du choeur Verte folium<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">20h30, Temple des Batignolles (Paris) <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.choeurvertefolium.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Verte Folium (VF), litt\u00e9ralement \u00ab&nbsp;<em>tournez la page<\/em>\u00ab&nbsp;, est une mention figurant au bas des anciennes copies. Pour notre chorale, l\u2019\u00e9vocation des nombreuses partitions \u00e9tudi\u00e9es. Rien \u00e0 voir avec la botanique !<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-24&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-24-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-24\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-24\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-24-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Et nous en avons tourn\u00e9 ensemble, des pages, depuis la fondation du ch\u0153ur, \u00e0 l\u2019automne 2006 sous la direction musicale d\u2019Emmanuelle Drouhard !<br>\u200bNos choix musicaux proviennent d\u2019un r\u00e9pertoire classique vari\u00e9, traversant l\u2019histoire et les fronti\u00e8res, les formes, les genres et les styles, comme en t\u00e9moigne chacun de nos concerts. M\u00e9lodies fran\u00e7aises, lieder et chorals allemands, ch\u0153urs d\u2019op\u00e9ra, musique sacr\u00e9e couvrant une p\u00e9riode de la fin du 18\u00e8me si\u00e8cle jusqu\u2019\u00e0 nos jours.\u200b<br>Nous avons la chance de b\u00e9n\u00e9ficier de cours de technique vocale dispens\u00e9s par deux chanteuses lyriques professionnelles, Marie Soubestre et Marina Ruiz. Marie Soubestre est notre soliste en concert et Cl\u00e9ment Darlu, notre pianiste accompagnateur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>31\/05\/23 &amp; 14\/06\/23 : <em>Transformers !<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">19h Champigny-sur-Marne. <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.ensemble2e2m.com\/fr\/page-78\/detail-330\/transformers.html\" target=\"_blank\" rel=\"noreferrer noopener\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Cr\u00e9ation mondiale \u2022 commande de 2e2m<br>soprano, 3 ch\u0153urs, percussions, trio \u00e0 cordes, dispositif sonographique et vid\u00e9o<br>L\u00e9o Margue -direction musicale<br>Jonathan Pontier -musique<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-25&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-25-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-25\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-25\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-25-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Marie Soubestre<\/strong> -soprano<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Doroth\u00e9e Nod\u00e9-Langlois<\/strong> -violon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Claire Merlet<\/strong> -alto<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sarah Givelet<\/strong> -violoncelle<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fran\u00e7ois Vallet-Tessier<\/strong> -percussions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u2014<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Avec les \u00e9l\u00e8ves des classes de CM1\/CM2<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>de l\u2019\u00e9cole \u00e9l\u00e9mentaire Ir\u00e8ne Joliot-Curie, Champigny-sur-Marne<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>(R\u00e9sidence territoriale artistique et culturelle en milieu scolaire)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u2014<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Et les usagers de la Maison pour tous Jos\u00e9phine-Baker, Champigny-sur-Marne<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Mars\/juin 23 : <em>Un lieu incertain<\/em><\/strong><br>d\u2019apr\u00e8s Fred Vargas<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>16 mars, <\/strong>20h30 : Th\u00e9\u00e2tre du Chevalet, Noyon <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.ville-noyon.fr\/Un-lieu-incertain.html\" target=\"_blank\">R\u00e9server ici<\/a><br><strong>17 mars<\/strong>, 20h45 : La Manekine, sc\u00e8ne interm\u00e9diaire des Hauts-de-France, Pont-Sainte-Maxence <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.lamanekine.fr\/un-lieu-incertain\" target=\"_blank\">COMPLET<\/a><br><strong>5-6 avril<\/strong>, 20h : N.G.A.T. Nouveau Gare au Th\u00e9\u00e2tre, Vitry sur Seine <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/nouveaugareautheatre.com\/agenda\/un-lieu-incertain\" target=\"_blank\">R\u00e9server ici<\/a><br><strong>3-4 mai<\/strong> : La Br\u00e8che Festival, Savoie <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.labrechefestival.com\/\" target=\"_blank\">R\u00e9server ici<\/a><br><strong>22 juin<\/strong>, 20h30 : Th\u00e9\u00e2tre du Beauvaisis, sc\u00e8ne nationale <a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.theatredubeauvaisis.com\/spectacle-beauvais-theatre-un-lieu-incertain-557.html\" target=\"_blank\">R\u00e9server ici<\/a><\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab Comment cela \u00ab y croire \u00bb ? Mais tout le monde y croit, jeune homme. Tout le monde craint qu\u2019\u00e0 la nuit une pierre tombale ne se soul\u00e8ve, qu\u2019un souffle froid passe sur son cou. \u00bb<br>Adaptation par l\u2019Eventuel h\u00e9risson bleu du roman de Fred Vargas<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-26&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-26-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-26\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-26\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-26-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L\u2019\u00e9ventuel h\u00e9risson bleu, adapte sur sc\u00e8ne divers romans, en cherchant \u00e0 comprendre comment le texte romanesque r\u00e9sonne diff\u00e9remment sur le plateau. Dans Un lieu incertain, l\u2019extravagant commissaire Adamsberg et son \u00e9quipe se voient confront\u00e9s \u00e0 une t\u00e9n\u00e9breuse affaire, dont les racines remontent jusqu\u2019aux Carpates du XVIIe si\u00e8cle. L\u2019occasion d\u2019une plong\u00e9e dans les origines du vampirisme moderne, sans savoir qui de l\u2019acteur ou du spectateur aura le plus peur. L\u2019accord\u00e9on et la voix de soprano accompagnent le jeu des com\u00e9diens, dans une forme o\u00f9 musique et myst\u00e8re s\u2019entrem\u00ealent comme pour nous \u00e9clairer dans le noir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9alisation \/ <a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.eventuelherissonbleu.fr\/Un-Lieu-incertain-Fred-Vargas-A-THIOLLIER-2020.html\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019\u00c9ventuel H\u00e9risson Bleu<\/a><br>Adaptation, dispositif \/ L\u2019\u00c9ventuel H\u00e9risson Bleu<br>Direction de jeu \/ Antoine Thiollier<br>Musique \/ Marie Soubestre, Sven Riondet<br>Sonorisation \/ Jules Fernagut<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec \/ Sacha Bordes, Pauline Haudepin, Hugo Mallon, Marie Soubestre, Julia Sinoimeri, Antoine Thiollier<br>Production&nbsp;: L\u2019\u00e9ventuel h\u00e9risson bleu<br>Co-production \/ partenaires&nbsp;: Th\u00e9\u00e2tre du Beauvaisis \u2013 Sc\u00e8ne nationale, La Br\u00e8che festival, Nouveau Gare au Th\u00e9\u00e2tre, Espace Culturel La Traverse, La Manekine sc\u00e8ne interm\u00e9diaire des Hauts-de-France, Th\u00e9\u00e2tre du Chevalet Noyon<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>26\/01\/23 : <em>Concert flash<\/em><\/strong><\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">12h30 <strong>Lille<\/strong> \u2013 Auditorium du Nouveau Si\u00e8cle<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Alex Nante \/ Ensemble Miroirs \u00c9tendus<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Alex NANTE<br>Ocho escenas<br>Devocionario<br>Estrella de la ma\u00f1ana<br>Charles IVES<br>Songs (A Farewell to Land, Serenity, A Sound of a Distant Horn, Native land, The River)<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-27&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-27-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-27\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-27\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-27-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Marie Soubestre <\/strong>Soprano<strong><br>Miroirs \u00c9tendus :<br>Romain Louveau <\/strong>Piano<strong><br>H\u00e9l\u00e8ne Mar\u00e9chaux <\/strong>Violon<strong><br>Julia Macarez <\/strong>Alto<strong><br>Mich\u00e8le Pierre <\/strong>Violoncelle<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Automne 2022 : <em>Rouge silence, concerts du Collectif G<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">14\/10\/2022 : Frac d\u2019Orl\u00e9ans<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">06\/12\/2022 : Conservatoire Maurice Ravel<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab Balades Oniriques \u00bb de Farnaz Modarresifar,<br>\u00ab Heures Creuses \u00bb de Ma\u00ebl Bailly,<br>\u00ab Rouge Silence #2 \u00bb de Philippe Schoeller<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le collectif G, est constitu\u00e9 des pianistes Maroussia Gentet et Matvey Zheleznyakov, la soprano Marie Soubestre et la violoniste Apolline Kirklar.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-28&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-28-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-28\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-28\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-28-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Musiciens investis dans la musique d\u2019aujourd\u2019hui, ils sont attach\u00e9s \u00e0 d\u00e9velopper leur propre r\u00e9pertoire en collaboration avec des compositeurs : des \u0153uvres qui int\u00e8grent d\u00e8s leur conception la dimension gestuelle et performative des musiciens. S\u2019interrogeant sur la perception de la gravit\u00e9 et comment elle influe sur la pr\u00e9sence sc\u00e9nique, l\u2019interaction entre les interpr\u00e8tes et le rapport au mouvement, il propose au public une remise en perspective de l\u2019\u00e9coute gestuelle et musicale.<br>Cette exploration les m\u00e8ne \u00e0 d\u00e9velopper un langage sans fronti\u00e8res entre sons et gestes o\u00f9 la r\u00e9sonance devient le mat\u00e9riau th\u00e9\u00e2tral. Telle une entit\u00e9, elle est support de points de rencontres, red\u00e9finissant l\u2019espace sonore et la vision de la relation et de l\u2019interaction musicale et artistique. Le geste est exploit\u00e9 comme \u00e9l\u00e9ment initiateur de l\u2019interpr\u00e9tation, provoquant l\u2019intention, l\u2019\u00e9change dans un positionnement sc\u00e9nique renouvel\u00e9 par une \u00e9coute th\u00e9\u00e2tralis\u00e9e par le mouvement.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>03\/12\/22 : <em>R\u00e9cital avec guitare<\/em><\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Conservatoire Adam de La Halle \u00e0 Pont-Sainte-Maxence<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ingrid Ficheux, guitariste<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Dans le cadre des \u00ab rendez-vous du conservatoire \u00bb<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Octobre 2022 : <\/strong><em><strong>Carmen<\/strong>, <strong>\u00e9trang\u00e8re famili\u00e8re<\/strong><\/em><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">03\/10\/22 et 04\/10\/22 : Au th\u00e9\u00e2tre Charles Dulin \u00e0 Chamb\u00e9ry<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">10\/10\/22 et 11\/10\/22 : Au D\u00f4me d\u2019Alberville<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-29&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-29-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-29\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-29\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-29-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lumi\u00e8res, Nolwenn Delcamp-Risse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9gie g\u00e9n\u00e9rale, Georges Dessaux<br>Carmen, Claire P\u00e9ron<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Annabelle Gouache (violoncelle), Jos\u00e9phine Besan\u00e7on (clarinettes), No\u00e9 Nillni (trompette), Qiaochu Li (piano), Emmanuel Jacquet (percussions)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>20\/08\/22 : <em>Du c\u00f4t\u00e9 de ta m\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Festival Klasik. Rostrenen<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Reprise de ce spectacle un peu inclassable, entre la conf\u00e9rence, le one-woman-show et le r\u00e9cital de Lied o\u00f9 Maroussia Gentet et Marie Soubestre nous livrent leur rapport \u00e0 Proust et divaguent parmi les r\u00e9sonances\u2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>19\/08\/22 : <em>Concert du collectif G<\/em><\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Festival Klasik. Rostrenen.<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Le collectif G, est constitu\u00e9 des pianistes Maroussia Gentet et Matvey Zheleznyakov, la soprano Marie Soubestre et la violoniste Apolline Kirklar.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-30&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-30-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-30\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-30\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-30-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Musiciens investis dans la musique d\u2019aujourd\u2019hui, ils sont attach\u00e9s \u00e0 d\u00e9velopper leur propre r\u00e9pertoire en collaboration avec des compositeurs : des \u0153uvres qui int\u00e8grent d\u00e8s leur conception la dimension gestuelle et performative des musiciens. S\u2019interrogeant sur la perception de la gravit\u00e9 et comment elle influe sur la pr\u00e9sence sc\u00e9nique, l\u2019interaction entre les interpr\u00e8tes et le rapport au mouvement, il propose au public une remise en perspective de l\u2019\u00e9coute gestuelle et musicale.<br>Cette exploration les m\u00e8ne \u00e0 d\u00e9velopper un langage sans fronti\u00e8res entre sons et gestes o\u00f9 la r\u00e9sonance devient le mat\u00e9riau th\u00e9\u00e2tral. Telle une entit\u00e9, elle est support de points de rencontres, red\u00e9finissant l\u2019espace sonore et la vision de la relation et de l\u2019interaction musicale et artistique. Le geste est exploit\u00e9 comme \u00e9l\u00e9ment initiateur de l\u2019interpr\u00e9tation, provoquant l\u2019intention, l\u2019\u00e9change dans un positionnement sc\u00e9nique renouvel\u00e9 par une \u00e9coute th\u00e9\u00e2tralis\u00e9e par le mouvement.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>23\/04\/22 : <em>Alla Breve<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Farnaz Modarresi-Far \/ Collectif G\u00e9o\u00efde<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Revoir l\u2019\u00e9mission : <a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/creation-mondiale\/balades-oniriques-pour-voix-et-ensemble-instrumental-de-farnaz-modarresifar-3932081\">https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/creation-mondiale\/balades-oniriques-pour-voix-et-ensemble-instrumental-de-farnaz-modarresifar-3932081<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>08\/05\/22 : <em>Du c\u00f4t\u00e9 de ta m\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">La Br\u00e8che Festival<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Maroussia Gentet, pianiste<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marie Soubestre, soprano<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">La Br\u00e8che Festival propose \u00e0 Maroussia Gentet et Marie Soubestre une carte blanche pour qu\u2019elles nous racontent leur relation \u00e0 Proust. Cet exercice entre le stand-up et le r\u00e9cital est un grand saut dans le vide que les deux artistes pr\u00e9parent avec beaucoup d\u2019humour.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-31&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-31-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-31\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-31\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-31-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/web.archive.org\/web\/20260112224706\/https:\/\/www.labrechefestival.com\/?page_id=1360\">2022<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>08\/06\/22 : <\/strong><em><strong>Carmen<\/strong>, <strong>\u00e9trang\u00e8re famili\u00e8re<\/strong><\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Th\u00e9\u00e2tre Saint-Omer<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-32&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-32-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-32\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-32\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-32-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lumi\u00e8res, Philippe Gladieux &amp; Nolwenn Delcamp-Risse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9gie g\u00e9n\u00e9rale, Diane Loger<br>Carmen, Ad\u00e8le Charvet<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Gauthier Broutin (violoncelle), Bertrand Laude (clarinette), No\u00e9 Nillni (trompette), Cl\u00e9ment Darlu (piano), NN (percussions)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/web.archive.org\/web\/20260112224706\/http:\/\/www.miroirsetendus.com\/carmen-2021\" target=\"_blank\">http:\/\/www.miroirsetendus.com\/carmen-2021<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>03-04\/06\/22 : <em>Carmen, \u00e9trang\u00e8re famili\u00e8re<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Th\u00e9\u00e2tre du Beauvaisis<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Carmen est dans toutes les t\u00eates. \u0152uvre embl\u00e9matique de l\u2019op\u00e9ra fran\u00e7ais, v\u00e9ritable machine \u00e0 tubes mais aussi manifestation du g\u00e9nie orchestral de son compositeur, Carmen est un temple o\u00f9 le plaisir est imm\u00e9diat. Ici, les artistes s\u2019en emparent comme en famille ou entre amis, en format de chambre, et avec l\u2019\u00e9nergie et l\u2019ivresse du plateau de th\u00e9\u00e2tre.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-33&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-33-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-33\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-33\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-33-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Cr\u00e9dits :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conception, Antoine Thiollier<br>Arrangement musical, Ensemble Miroirs \u00c9tendus<br>Direction musicale, Romain Louveau<br>Mise en sc\u00e8ne, sc\u00e9nographie, costumes, Antoine Thiollier&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lumi\u00e8res, Philippe Gladieux &amp; Nolwenn Delcamp-Risse<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9gie g\u00e9n\u00e9rale, Diane Loger<br>Carmen, Ad\u00e8le Charvet<br>Don Jos\u00e9, J\u00e9r\u00f4me Billy<br>Mica\u00ebla, Marie Soubestre<br>Le Destin, Marius Barthaux<br>Ensemble Miroirs \u00c9tendus : Julia Macarez (alto), Gauthier Broutin (violoncelle), Bertrand Laude (clarinette), No\u00e9 Nillni (trompette), Cl\u00e9ment Darlu (piano), NN (percussions)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/web.archive.org\/web\/20260112224706\/http:\/\/theatredubeauvaisis.com\/spectacle-beauvais-theatre-carmen-628.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/theatredubeauvaisis.com\/spectacle-beauvais-theatre-carmen-628.html<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>06\/04\/22 : <em>\u00c9cho, Narcisse et l\u2019art d\u2019aimer<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ma\u00ebl Bailly \/ Ovide<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Livret : Benjamin Athanase \/ Ma\u00ebl Bailly \/ Marie Soubestre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Philharmonie de Paris<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab L\u2019amour est une esp\u00e8ce de service militaire. \u00bb Cette citation surprenante (le mot est faible) de L\u2019art d\u2019aimer du grand po\u00e8te latin Ovide sert de point de d\u00e9part \u00e0 un spectacle vibrant et loufoque, qui emprunte au genre de l\u2019op\u00e9rette une piquante fol\u00e2trerie. Alors que des coachs en tout genre s\u2019immiscent dans tous les aspects de notre vie contemporaine, le compositeur Ma\u00ebl Bailly, le metteur en sc\u00e8ne Benjamin Athanase et la soprano Marie Soubestre ont imagin\u00e9 un personnage de conf\u00e9renci\u00e8re se donnant pour mission de percer les myst\u00e8res de l\u2019amour. Tenant autant de la psy que de la prof de philo, elle trouve dans le mythe de Narcisse et \u00c9cho mati\u00e8re \u00e0 observations et autres conseils pour une vie sentimentale r\u00e9ussie, enfin esp\u00e9rons-le !<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-34&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-34-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-34\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-34\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-34-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>04-05\/02\/22 : <em>\u00c0 L\u2019ombre des nombres<\/em><\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c9vaux-Les-Bains<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ninh L\u00ea Quan, percussions et voix<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martine Altenburger, violoncelle et voix<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marie Soubestre, voix et percussions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Cage \/ Jason Treuting \/ Steve Reich \/Tom Johnson \/ Georges Aperghis \/ Th\u00e9o M\u00e9rigeau<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">[Marie Soubestre remplace au pied lev\u00e9 la soprano Aur\u00e9lie Maisonneuve, souffrante]<br>Imaginons trois interpr\u00e8tes qui, au gr\u00e9 des pi\u00e8ces qu\u2019ils jouent, font appara\u00eetre litt\u00e9ralement les nombres qui les sous-tendent, qui jouent avec eux et se jouent de nous.<br>Au fur et \u00e0 mesure, le plateau se remplit de tout ce qui est \u00e9num\u00e9r\u00e9, d\u00e9voilant la structure des \u0153uvres.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-35&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-35-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-35\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-35\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-35-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Photo : Martin Noda<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>15\/12\/21 : <em>Soir\u00e9e baudelairienne<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Caplet \/ Casella \/ Chausson \/ Debussy \/ Duparc \/ Faur\u00e9 \/ Caplet \/ Wagner \/ Zemlinsky<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19h, Centre National du Livre (Paris)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Maroussia Gentet, pianiste<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marie Soubestre, soprano<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Marie Soubestre (soprano) et Maroussia Gentet (pianiste), interpr\u00e9teront des m\u00e9lodies de compositeurs fran\u00e7ais du d\u00e9but du XXe si\u00e8cle, \u00e0 partir des Fleurs du Mal de Charles Baudelaire, en alternance avec des lectures et des \u0153uvres pour piano solo, li\u00e9es au grand \u00e9crivain.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un m\u00eame po\u00e8me pourra \u00eatre d\u00e9clin\u00e9 de fa\u00e7ons tr\u00e8s diff\u00e9rentes. Ainsi Harmonie du Soir sera tour \u00e0 tour pr\u00e9sent\u00e9 en version jou\u00e9e et chant\u00e9e.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-36&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-36-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-36\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-36\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-36-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Photo : Jean Segura<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>29\/11\/21 : <em>\u00ab&nbsp;Marie, weine nicht&nbsp;\u00bb<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Hanns Eisler \/ Bertolt Brecht \/ Graciane Finzi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19h CNSMDP<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Concert de sortie des disques du label Initiale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce disque voyage dans l\u2019univers de Hanns Eisler et Bertolt Brecht entre 1924 et 1939 : depuis la R\u00e9publique de Weimar, qui pour les deux amis rime avec la d\u00e9faite des insurrections du prol\u00e9tariat allemand, jusqu\u2019\u00e0 l\u2019exil o\u00f9 ils fuient le nazisme.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-37&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-37-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-37\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-37\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-37-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>25\/11\/21 : <em>Collectif G\u00e9o\u00efde<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Concert priv\u00e9 \/ Cabaret sauvage<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">G\u00e9o\u00efde est un collectif pluridisciplinaire \u00e0 dimensions variables fond\u00e9 en 2020 autour de la pianiste Maroussia Gentet et du mime-performeur Vahram Zaryan \u00e0 travers leur premi\u00e8re cr\u00e9ation G\u00e9o\u00efde.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-38&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-38-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-38\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-38\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-38-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>01\/10\/21 : <em>D\u00e9claration<\/em><\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9mi Bricout \/ Olympe de Gouge<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">19h CNSMDP<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab Homme, es-tu capable d\u2019\u00eatre juste ? \u00bb R\u00e9mi Bricout a choisi, pour cl\u00f4turer cinq ann\u00e9es d\u2019\u00e9tudes de composition au CNSMDP, de donner la parole \u00e0 Olympe de Gouge dans cette cr\u00e9ation pour soprano\/r\u00e9citante, orchestre et bande enregistr\u00e9e.<\/p>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-39&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-39-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-39\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">Lire la suite<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-39\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-39-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Lorem<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Pascale Cholette 05\/06\/2026 : Cosi fan tutti R\u00f4le de Despina Palais des Beaux-Arts, Charleroi L\u2019ensemble Miroirs Etendus s\u2019est fait une sp\u00e9cialit\u00e9 de la cr\u00e9ation d\u2019op\u00e9ras d\u2019aujourd\u2019hui et de la relecture des grands chefs-d\u2019\u0153uvre. Avec le metteur en sc\u00e8ne Antonio Cuenca Ruiz, ils revisitent cette fois-ci Cos\u00ec fan tutte (\u00ab c\u2019est ce qu\u2019elles font toutes <a class=\"read-more\" href=\"https:\/\/ms.5up3r83d0um.xyz\/index.php\/agenda\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":48,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":132,"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions\/132"}],"wp:attachment":[{"href":"https:\/\/ms.5up3r83d0um.xyz\/index.php\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}